My bio

Working across artistic research, experimental moving image, AI-based processes, and adaptive installation formats, I investigate the fragile, ephemeral, and transformative condition of contemporary visual experience. Through adaptive, often minimalist forms, I explore how digital tools, interfaces, and platforms influence memory, time, emotion, and the environments we inhabit. I treat art not only as a form of expression, but also as a method of investigation.

My path has not been linear. Rather than a smooth artistic evolution, it has been shaped by a series of smaller revolutions, shifts, and long periods of searching across different media, contexts, and ways of working. I was originally trained in fine arts at the Academy of Fine Arts in Krakow, but early on I moved beyond traditional forms toward experimental film, animation, and later new media. I continued this exploration at the New Media Faculty of Turku Polytechnic in Finland, and later worked professionally in motion design and special effects. These transitions between art, applied media, moving image, and research still inform the way I work today.

In 2024, I completed my doctoral degree at the Polish-Japanese Academy of Information Technology in Warsaw with a dissertation on the aesthetics of the mobile era, focused on the impact of smartphones, apps, and mobile platforms on art and visual culture. In recent years, my research and artistic experimentation have increasingly centred on AI, platform aesthetics, authorship, and the ecological costs of contemporary digital tools.

My work has been presented in more than 50 exhibitions, festivals, and art events on four continents. It has been supported by four public scholarships, including two grants from the Ministry of Culture and two KPO for Culture scholarships. Some of my works are part of the Punto y Raya new media collection, and my practice was recently featured in Contemporary Lynx along Leo Crane in 2026 article by Alicja Stąpór titled Artificial Intelligence in Artistic Practice.

Read more on the Recognition page.

For years, I’ve been writing about the intersections of art, technology, and digital culture, analyzing how emerging innovations reshape visual language and artistic expression. My texts—published mainly in Contemporary Lynx online magazine—explore themes such as sustainability, speculative futures, and the evolving role of new media in contemporary art. By combining artistic research with technological discourse, I aim to provide critical perspectives on how digital transformation redefines the boundaries of visual culture today.