In my artistic research, I combine inquiry and creative practice to explore complex cultural and technological shifts. By merging critical analysis with artistic experimentation, I generate new insights into how emerging technologies influence contemporary reality. I examine how digital tools and platforms reshape perception, artistic expression, and creative practices within the fields of art, visual culture, and aesthetics.
Through my work, I investigate the impact of mobile media, generative artificial intelligence (AI/GenAI), extended reality (AR/VR), algorithmic aesthetics, and digital interactivity on the production and reception of visual content. My projects often reflect on the aesthetics of adaptation, fragmentation, and sensory overload in technologically mediated environments.
I also address broader socio-technological issues such as technocolonialism, the digital divide, algorithmic opacity, and the ecological cost of computation. Viewing technology as a dynamic and evolving system, I draw on medium theory, medium specificity and cybernetic approach to examine how digital infrastructures influence artistic form and cultural experience. This approach allows me to critically engage with the unstable intersection of technology, art, and human perception.
